 
The evening is a special time in the old Spanish colonial part of the city as it comes to life with Potosínos strolling the avenues and gathering in the many plazas to sit and chat or watch the passing parade. The main plaza, the Plaza de Armas, is in a park-like setting with many ornate benches and flowers. It is also called Hidalgo's Garden, and San Luis is nicknamed the City of Gardens with gardens in each of its seven original districts. In the center is the customary gazebo where an orchestra plays music every evening until the wee hours of the morning. Hundreds of colorful balloons gathered in bunches bob and dance in the air, and there are venders selling frozen ices and sodas. For those wishing to combine and prolong their evening of strolling with dinner, there are several cafes and restaurants around the plaza from which to choose.
Facing the Plaza de Armas, is the Cathedral, which was declared a National Monument in 1935. Inside are wide impressive arches of pink stone with a carved leaf pattern that echo the ones painted in blue and gold on the ceiling. Roman statues in Carrara marble stand in niches around the façade, smaller replicas of the larger ones in the interior of the San Juan de Letrán Basilica in Rome. The mix of styles looks like Baroque Gothic meets Michelangelo.
 
Near the end of the 16th century, the large Basque community in San Luis had grown rich and powerfull living next to the famed mountain of silver, the "Cerro de Potosí" shown in the centuries-old line drawing. They controlled the mining factories that flooded European markets for years with enormous amounts of silver. Amalia Barron, a journalist based in La Paz, Bolivia, writes that, "around two billion ounces of silver were extracted from the city's Cerro de Potosí during the Spanish colonial era. Silver from the mountain, also known as 'Cerro Rico', paved Potosi's streets, fuelled the European Renaissance and helped fund the 'Invincible Armada', the Spanish fleet that sailed against Elizabethan England in 1588."
In 1753, the wealthy Aranzazu family built a chapel in the baroque churrigueresque style with lavish and fantastic detailing of the architecture of Spain in the 17th century. It has altarpieces painted in gold, and among the oil paintings, one by Miguel Cabrera.
 
Across the street from the Plaza de Armas is the attractive Baroque building that was a colonial mansion and later functioned as the Royal Treasury. It is well worth a visit. On the balcony of the corner façade of the building stands La Purísima, a stone statue of the Virgin given to the city by king Charles III of Spain. The ground floor, with its central courtyard and arched doorways on three sides, is used for plays, traditional music and dance and banquets for important occasions. The second floor rooms are used for various art exhibits featuring local talent from the university. Interestingly, there is no ceiling over the courtyard and leaves it exposed to the sky and the elements. The door and window frames are boldly carved and painted to look like terracotta. The stone steps are deeply rutted by the heavy traffic of human and animals. The extra wide stairwell was important to accommodate the pack animals that would carry their burdens of gold and silver to the upper chambers.
 
A short walk from the Plaza de Armas is the wonderful old Templo de Carmen, built in the 1700's. In front of the Templo is the Plazuelo de Carmen that was originally the grounds of the 18th century Carmelite Monastery. Of all the churches in the city, this is the one that should be on your must list. First of all it has the impressive multi-colored tiled dome like so many in San Luis Potosí, and the outside is adorned with shells. Inside is a feast for the eyes, with angels perched overhead watching the scene below. One of the Baroque chapels is the Camarín de la Virgen, with a gold alter piece topped off with a giant scallop shell. The other amazing Baroque chapel in the Templo is the Altar de Los Príncipes, notable for a floor to ceiling interior façade.
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